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Recent Issues

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March
illustration Happy Burbeck
February
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January
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DECEMBER

All Writing From Maeve Holler



Mar 2017

Reviews

CODE ORANGE FOREVER (ROADRUNNER) When Code Orange signed to Deathwish, I was very impressed to learn that the average age of its members was 18. I began obsessively watching their output due to how much…Read full article

Feb 2017

REVIEWS

CHERRY GLAZERR APOCALIPSTICK (SECRETLY CANADIAN) Apocalipstick—the sprawling second album by L.A.’s divergent pop-punk sweethearts Cherry Glazerr—is an undoubtedly matured take on the foursome’s unconventional noise-pop sound. Unlike their fuzzy, unrefined first album, Haxel Princess, which…Read full article

Sep 2016

Reviews

APHEX TWIN CHEETAH (WARP) Richard D. James has certainly been prolific these past few years. Between 2014’s triumphant Syro (the vast archive of previously-unreleased tracks put up on Soundcloud) and last year’s Computer Controlled Acoustic…Read full article

Jun 2016

Reviews

MUSIC JAMES BLAKE THE COLOUR IN ANYTHING (POLYDOR) “I can’t believe this, you don’t wanna see me,” croons the refrain, amid spectral moans and piano chords. From this opening, James Blake’s newest offering, The Colour in Anything, engages listeners on…Read full article

May 2016

Reviews, May 2016

MUSIC ALL PEOPLE S/T (COMMUNITY) All People’s second, eponymous album is an eclectic half hour of guitar-heavy post-punk entwined with introspective lyrics, horns, and synth-pop. There is remnant influence from ‘90s bands like Pavement, Archers…Read full article

Mar 2016

BUKU V: AG Picks

There are only a handful of cities that can brag about having their own amazing local music festival to look forward to each year, and New Orleans is one of them. The BUKU Music +…Read full article